Hey there, music making friend! Let's get to the heart of this. You ready to...

Meet important decision makers in music licensing?

Find out what they are working on?

Learn what they need?

Get their opinion on what's current?

Gain perspective on what's crucial to come across as a professional to them?

And use all of this to clearly understand where your music fits in?

These are things you need in order to be the best partner you can be to the key players in music licensing. You can take this knowledge and spirit into your winning writing and production teams! That's what maximizes your team's potential, makes you a true team player in sync.

Starting right now, we're making getting these invaluable insights a can't miss proposition. Hear us out!

We're proud to announce 2Indie's brand new Supetacular! Conference.

Learn from 20 Music Supervisors over 2 powerful days (June 15th & 16th) so you can serve the sync world to the highest of your potential. 

Included:

• Learn from 20 Music Supervisors - Key decision makers who have worked on some of the hottest TV shows, films, trailers and ads in existence. Panelists currently include:
  • Madonna Wade-Reed, Music Supervisor at Whoopsie Daisy Music (All American, Batwoman, The Shannara Chronicles, Reign, Smallville, One Tree Hill, Blue Mountain State, Alias, Felicity)
  • Ann Kline, Music Supervisor (E.R., The West Wing, Shameless, The Good Doctor, The Goldbergs)
  • Gary Calamar, Music Supervisor (Six Feet Under, True Blood, The Man in the High Castle, Cobra Kai)
  • Brian Vickers, Music Supervisor at Walt Disney Studios (Major Theatrical Trailers for Disney)
  • Sarah Chapeck, Music Coordinator at Black & White Music (Atlanta, Wednesday, The Wilds, The Equalizer)
  • Brian Naguit, Vice President of Music, Creative for CBS Studios (Blood & Treasure, Star Trek Discovery, Star Trek Picard, Star Trek Strange New Worlds, NCIS Hawaii)
  • Kelsey Mitchell, Music Supervisor at Ignition (Major Entertainment Advertising for clients such as Universal, Sony, Netflix, Amazon, Hulu, and Disney)
  • Greg Sweeney, Music Supervisor at Motive Creative (Major Theatrical Trailers and Promos for clients such as Warner Bros, HBO Max, Netflix, Amazon, A24 and Lionsgate)
  • Armine Ramer, Music Supervisor at States of Sound (“Crip Camp” Shantaram (Apple TV+) “Woodstock 99” (HBO) “Flint Town” “Jay & Silent Bob Reboot” “Baby Done” “The Rhythm Section” “Weeds” “ The Signal” “The November Man, “Faking it”, “Richard Pryor –Omit the Logic”, “DB Cooper”- “For A Good Time Call” "Lonely Planet" (Netflix) "Five Nights at Freddy’s" (Blumhouse)
  • Alex Stacey, Music Supervisor at Neophonic (American Horror Story, Fahrenheit 451, Mike Judge Presents: Tales from the Tour Bus)
  • Mike Turner, Music Supervisor (Over 50 film/TV credits - Including CBS, Paramount+, Netflix, MTV Networks, Direct TV, Hulu and VICELAND/A&E
  • Nick Maker, Head of Music Supervision at The Elements Music (Brands such as Heineken, McDonalds, Toyota, Smirnoff, and Lexus)
  • Jennifer Smith, Music Supervisor (Why Women Kill, Deadly Illusions, Behind the Music, Simchas and Sorrows)
    Brian Naguit, VP, Music Creative at CBS Studios
  • James Combs, Music Supervisor and Coordinator (Titans, The Man in the High Castle, True Blood, Six Feet Under, Shrek 2, House of Lies, Uncle Frank)
  • Adele Ho, Music Supervisor - Yellow Rose (Sony Pictures), Chuck Leavell: The Tree Man (Gravitas Ventures) Utopia Falls (Hulu), JT LeRoy (Universal Pictures), G-Funk (YouTube Red), Tyler Perry's Acrimony (Lionsgate)
  • Josh Young, Supervising Television and Film Editor, Founder of Atrium Music (Temptation Island)
  • Crystal Grooms Mangano, Music Supervisor at Groomsy Music (Dolly Parton's Heartstrings, Don't Tell A Soul, Standing Up, Falling Down, Cold Blue)
  • Jennifer Mandel, Music Supervisor at Uncle Agnes (TV, Film & Commercial Clients)
• 8 Hours of Listening Sessions - Learn what Music Supervisors prefer from music when they are looking for that perfect match to picture. Everyone gets to submit a song that may be screened LIVE at the conference.
• 7 Hours of Q&A - Ask the important questions you have for our Music Supervisor panelists to help you understand who they are, what kinds of projects they are working on, what they need, what's current and how they get the job done.
• Best of Supetacular! Sampler - We will be making a custom sampler from the best of attendee submissions to send to our network of music licensing agencies that have direct connections to music supervisors like the ones who are at our Supetacular! conference.
• 30 Days of Replays - Catch any of the action you missed out on for a full month after the conference is over.

Note: All Music Supervisors and conference schedule is subject to change. We will do our best to screen as many attendee songs live as possible, but we can't guarantee that all songs submitted will be screened live. Rest assured ALL songs submitted will be evaluated by 2Indie for the Best of Supetacular! Sampler.